Matthew Miyasaka
With these ideas in mind, for my calligraphy assignment, I have made a light painting of Allah in Arabic (achieved by keeping the camera shutter open for 30 seconds and "drawing" with my phone's flashlight). One of the original motivations was to use the world rather than the paper as the "canvas" for my calligraphy; the same can perhaps be said of the Quran itself, as it was repeated aloud long before it was transcribed onto paper. Also notice that in the photo the word itself is lighting the subject's face, which symbolizes Allah as the Light of the earth. It is unclear whether "Allah" as it appears in the photo is meant to be spiritually present or physically present, as while it illuminates the subject's face, the subject does not seem to notice it. This is meant to demonstrate the heaven/earth duality of Allah's being Light. Finally, the subject herself has headphones on, which I instructed her to do to reflect the original auditory nature of the Quran.