Resources for Loss

"emptiness isn’t intangible like they say, is it?" by Nishi Patel, contributed by Nishi Patel (2025)

Note: Throughout the following piece, when I say “family,” mine contains 13 people: my family of 4, my dad’s sister’s family of 4 and his brother’s family of 4. In addition to that, it includes my grandfather.
emptiness isn’t intangible like they say, is it?
it’s the way i touch your favourite seat on the couch,
and all i can find is the phantom presence of you that is no longer there.
it’s the way i touch my un-braided hair
and your fingers would never oil them anymore or braid through them complaining that i should let you do it more often.
it’s the way i hold your book of chants between my hands as if it’s the sacred thread of life
and all i can feel is embossed letters on pages. not your touch. not your fingers running between every line every single day of your life.

emptiness is a series of almost’s threaded together with no way out of a vessel that was shut close with an end that keeps magnifying
i almost click a picture and send it to you;
but you wouldn’t ever see it.
i almost watch the movie we used to watch together and crack a joke;
but no one else would’ve understood it.
i almost woke up and called you;
but you wouldn’t ever pick up.
i almost -
ran back to you / heard your name / smelled you in the dying, crisp leaves / looked at a picture of you cutting the cake last year / whimpered your name out loud
i almost -
felt you beside me when no one was looking, where no one could be, saying what no one could hear

and i hold it close. tight. wounded. in a box with a lock with a key i hide deep in a place only you can find.

and i hold you close. tight. wounded. in a cosmically dark void that screams your name deep beneath every layer of my soul.

who says emptiness isn’t a monster that tears you apart right in front of the world?
who says emptiness doesn’t leave you shredded.
who says emptiness doesn’t howl within your timid muscles?

how was i to know emptiness will scratch the thickest walls of my heart like a wolf that cannot be contained.
the walls i would spent rest of my life holding up.

come back. in the bright daylight for a millisecond. in the dark night for a second.
come back. for a beat of my heart. for a whisper of your name.

This was a piece I wrote on October 27, 2024 at 3:06 a.m. 

I got a Whatsapp Video call on October 5th, 2024 while I was in my building’s common room that lasted for 6 hours. Through the blurred, glitchy screen, my mother, in tears, informed me that my family in India will be taking my grandmother off life support. Emotionally in a turmoil, I stayed in my common room until I knew I had to stop crying. So I packed my bag, still watching my aunts perform the last rituals for my grandmother before cremation, as I moved to the upper floor of Cabot Science Library trying to study for my math midterm. But, I made a mess out of myself in Cabot, as well. 

My grandmother was diagnosed with leukaemia on September 28, 2024, and lost the battle on October 6, 2024. We got the medical report of the specifics of the cancer four days after she passed away. Out of my family, me, my mother and my brother could not be there during her last breaths or her funeral. I was, in fact, here at Harvard studying for my midterms as I watched the entirety of her funeral in Cabot Library. Throughout the video call, all my mother said—translated into English—was, “We could not see her for the last time.” 

The most striking thing about this is that I made so many efforts to ensure that there are still ties between me and her—physical proof like photographs, digital proof like voice recordings. From the moment I learnt she had cancer, I started to take glitchy pictures of her through the maximised version of the WhatsApp Video Call feature. I collected these glitchy pictures up until she was ready to be cremated. After her death, I was going through my family’s WhatsApp chat history when I stumbled across a voice message from her specifically addressed to me about a funny comment by me. I starred that message and recorded it as well, just in case. When I went back to India after 2 years this winter, I did not dare sit on the couch that she always sat on—to make sure that some part of her still stayed. To ensure that she was still present, and I was still connected to her. 

I was trying to compensate for my lack of intentional pictures I wanted with her. Everyone around me had pictures with her that they wanted to take, but I did not. I was not into recording videos or taking pictures—never intentionally with her. Every picture was one version of someone saying, “All the kids stand with grandma for a picture.” So, 21 days after her death, I had exhausted myself of all the things I could do to keep her in my memory—to try to find a single thing that I had done intentionally for her. And, I couldn’t find it.

I. Just. Could. Not. Find. It.

The way this piece helped me deal with my grief is twofold: 

In a way, I have always processed things through writing, but a lot of pieces I wrote in the past made it to my first or second book. This piece is now one of the only pieces I wrote that I will never publish. I will never talk about it, and no human eye will be laid upon it unless I think sharing this piece might help some cause—like for the website all the Scalars are put on. The process of writing this piece helped me weave art out of my grief. I was content because I had taken something as dark and lonely and hollow as not being there for my grandmother’s funeral or not having enough pictures with her and turned that into poetry. This can also be interpreted as the “meaning-making” stage of grief — although I was still very much dealing with the previous stages.

This piece also reminds me of all the ways I did have memories with my grandmother on days when I revert to thinking that I never did anything intentional with her. It was also this piece that now acts as my only intentional tie with her—the one thing that I did that was for her that only I knew about. It did not have anything to do with anyone else but me and her. The piece itself brought me peace and serenity at the time, because, finally, I had something that belonged to me and my grandma. After I wrote this, I also stopped trying to conjure memories between us. 

I no longer felt the need to be tied because I had this piece. And it was only ours. 

 

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