Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960: I. Molto moderato, contributed by Christian Chiu (2025)
There is a remarkably human presence discernible in Schubert's music—pianist Jonathan Biss writes: "But while Schubert’s narrative arcs can be monumental or harrowing — frequently they are both — he always feels fully human. His vision is grand, but his fragility is palpable." This final piano sonata was written at a time when Schubert's health was rapidly deteriorating, and the music seems to convey his farewell to the world and his life. This first movement begins in serenity, with a simple, gentle melody, but quickly lends itself to a tense, haunted regret. As the movement progresses, Schubert's range of emotions from grief to loneliness are all transmitted through the music to provide the listener with a deep, understanding empathy. This piece can remind us of the universality of loneliness in the human experience, whilst continually sharing Schubert's underlying hope—even in tragedy, he is never bitter. Mitsuko Uchida's performance is particularly transcendent to me, as her interpretation of the work provides necessary space for every note to resonate, and her deep understanding of Schubert's condition shines clear. This is a truly special recording that I would want anyone to hear in any stage of the grieving process, as I believe it provides comfort similar to that of a loved one, just being there.