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The Imperiia Project: a spatial history of the Russian Empire

Demidov's voyage album

Anatolii Demidov and Denis Auguste Marie Raffet, Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie (1838).

The volume can be found in the Anne S. K. Brown Military Collection at the Brown University Library.
Imprint date from Vicaire, G. Livres du 19. s LC copy has second t.p.: Voyage dans la Russie méridionaleet la Crimée, par la Hongrie, la Valachie et la Moldavie /exécuté en 1837, sous la direction de M. Anatole de Démidoff, par MM. de Sainson, Le Play, Huot, Léveillé, Raffet, Rousseau, de Nordmann et Du Ponceau. Paris : Gihaut Frères, [s.d.]

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A Princely Playboy in Crimea Anatolii Nikitich Demidov was born into not one, but two, of the wealthiest and most powerful families in Russia in March 1813. His father, Count Nikolai Nikitich (Demidov), was ambassador to France. His mother, Baroness Elizaveta Aleksandrova, was a Stroganov. Anatolii grew up in Paris and spent his life in Europe. He married into the Bonaparte family, conducted famous affairs, collected great works of art, and helped Russia finance the Crimean War.

In 1837, Demidov organized a scientific expedition to southern Russia and Crimea, sparing no expense. He published his own travel account the same year, and a voyage album followed in 1838 with 100 lithographs by Denis Auguste Marie Raffet.

This gallery contains fifteen of the illustrations from the Album du Voyage dans la Russie méridionale et la Crimée, par la Hongrie, La Valachie et la Moldavie, ed. Ernest Bourdin (Paris, 1838). They appear courtesy of the Anne S. K. Brown Military Collection at the Brown University Library. For the album citation information, click here. The Library of Congress has made a digital version of the full publication accessible. Click here to page through the contents. If you read Russian you can access the full text of Demidov's travel account here.

According to the old adage, these fifteen images are worth 15,000 words. The stories they tell are not of princes and delicious courtly scandal, however. They tell stories of nameless peasants and ramshackle landscapes and quiet moments in the shadows. They are steeped in romanticism, to be sure. Yet they communicate something important about what it meant to inhabit Crimea in the early 19th century.

(For those of you keeping track, Demidov and his merry men - scholars and writers and artists - produced these images just as Colonel Betev was getting to work on his topographical map.)

Shall we start with a slideshow of the plates, in publication order? If you want a closer view of an image, click on the timeline entry title. A new page will open. Beneath each image you will see a source link: clicking on the link will open the image on a related Imperiia site - one equipped with a high-resolution dynamic viewer.

Cartographically inclined? Move through the gallery by clicking on the placemarks below (note: the placemarks are spaced around the modern locations of the named towns - they do not indicate specific locations).